This is a question that becomes increasingly relevant as film and TV production moves towards HDR (high dynamic range) imaging. HDR offers brighter highlights, darker shadows, more contrast and overall a more realistic representation of light. This also means that creators have more freedom in how they use light, without worrying about clipped highlights or details lost in the shadows.
What happens when converting legacy, SDR (standard dynamic range) content to HDR though?
Should restricted highlights and limited brightness be considered an expression of creative intent or an imposed limitation?
Discover the article in its entirety on TV Tech.
Opinion paper by Tania Pouli, deputy manager, Advanced Media Content lab.